Jan 8, 2015

French for beginners (Sacha)


(From the pages of Charlie Hebo)

And the corresponding fragment from the Green Eyes? No prob, bro. Étant donné (given that) the depiction of the auteur (self-centered film-maker) is Jean-Luc Godart, author of Pierrot le Fou, and other nouvelle vague movies.

Here goes (beginning of Ch. 23 of Part I, titled "In flagrante masterclass"):


There isn’t much left of Gohard's casual-ceremonial ways, the dildo has him in its grip, or counter grip, whatever. And while the situation is serious enough, I can’t suppress another collateral thought, this one involving the washed-up scriptwriter and an art house flick in which Gohard would try to answer the doorbell now, dildo and all, somehow haunching to the door, shifting from leg to leg, perhaps groaning. He reaches the door, opens it, and gulps “Hilfe.” (Come to think of it, didn't Godard (Jean-Luc, not Gohard) make a movie exactly like this, with Woody Allen as a peripatetic porn star and a peripatetic flower pot that’s always blotting the view of the adult parts of the unfolding drama? Did Allen survive?)

The door bell rings again. So it’s the postman. No, it’s Sunday. No, it’s Monday. It's not for nothing that us escorts are paid well—if we are paid at all—there's so much learning by doing involved. Shall we open the door? My budging A-level instincts tell me to stay put. Godehard moans softly, it's unclear whether he's praying or trying to say something. He rolls his head, that's what Buddhist monks do a lot.

We expect the echo of a failed doorbell initiative, silence followed by departing footfalls. Instead we get the clanky noise of metal on metal. There's something tentative to this, perhaps it’s a burglar who’s been pushing the bell to see whether the residents are at home and is wielding a picklock now. Godehart can't really roll his head any more. In flagrante masterclass.

I wonder whether the burglar could sue us for emotional damage done to him as he unsuspectingly tumbles upon harmful obscenity. While I thus wonder, the door swings open and clear, female eyes, enhanced by manly glasses, come into focus. Dr. Dyke.
Godehart can't speak at the moment, but Dyke can, presumably, although she doesn't. She ceases all activity whilst her medical mind assesses the situation. There she stands. It would be an understatement to say that we stared at each other (the more so because Godehart cannot really participate, his eyes left to dangle at the pond boys on the wall).

What's the washed-up scriptwriter doing in all this? He has a writer's block, I have to carry on alone. When you're in a hole, stop digging. That's perhaps a good idea, the more so since you’re in panic and can’t recall Dyke's real name, it could be a bad idea to use her moniker at this delicate hour. When we met for the first time, Dyke and I, her first words were "Your work?" That was twelve hours ago. What will she say now? Will she ever speak again?

"Your work?" she asks.
"Welcome to Godehart Wagner's home," I reply, one of my better lines today.
"I'm unsurprised," she says.
"Que sera, sera," I say—what can I say, there's no way to take this seriously. Even the dildo victim sports a smirk on his lips, a painful smirk at that, but a smirk nonetheless. Even the washed-up scriptwriter chimes in, we hear Doris Day singing in the background.


Are you still there? Then you'll possibly like the GREEN EYES. The first part is out now, available as Kindle book on Amazon, under this link:


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Dec 31, 2014

Last words of the year --- This is heaven

Just writing (last words of the year in the This-Is-Heaven manuscript, we're in Chapter 29, the boys prepping Godehart for the debate of the third day of the festival):


“Where did you get these undies?” Maurice asks.

Ben wears different briefs today, not the muchacho graffiti, but a pattern-repeat design of naked men in celibate poses printed Delft-blue on a white background. “Oohh,” Ben says, walks stiffly up to the counter. Godehart follows his every movement, the tight procession of the bubble butt, the spiel of Ben’s triceps as he works the percolator can, a stray ray of sun meandering on his skin (not to mention the effortless stretch of his abs under the band of the wallpaper briefs).

“Where did you get these undies?” Maurice repeats.
“Bonus payment,” Ben answers.

Design by Alessio Slonimsky

He disappears in my chamber, returns with a slip of paper, check-size, hands it to me. "Three thousand dollars," I read. "Name field blank. We can cash it immediately."
"Oohh," Ben says.

These were a few words from the second part of the GREEN EYES. And you know what? Part I is available as ebook now, here, under this link:


Night Owl Reviews

Dec 25, 2014

Find a caption


"That has to be the smallest I've seen in my life."

"Bacchus and Ariadne," (1621) Guido Reni (1575-1642)

Dec 24, 2014

Jamie 1.0 (teaser)

Today, our new flash story appeared on the pages of Gay Flash Fiction. Here's a teaser: 



Jamie


“I’m married to this gentleman,” I say to the immigration officer on SFO and point at Chang behind the yellow line. She beams at us and waves him forward. Some court has just overturned California’s ban on gay marriage.
“You’ll be staying in the city, right?”
“The first few days.”
“If you like go places, you must have lunch at the River’s End. You know the Russian River? She draws a map on a sheet of immigration paper.

*°*

We rent a cheap place in Guerneville (on the Russian River), an hour and a half north of the city. I’m working on my book, Chang is tending to the kitchen garden we inherited from previous tenants.

*°*

The weather is California-perfect and I’m sitting on the porch. I get up at 4 AM to write and can’t concentrate in the afternoon. The place next door is (even) more run-down than ours. And makes angry noises. It moans and cusses with the voice of a middle-aged woman---about---Jamie. A boy sits on a camping chair outside. His face is blank. He gets up and disappears.

*°*

Repeat, basically, for several days or weeks. We’ve met the woman in the meantime. We talked once, which was a mistake, we’re her enemies too, now.

*°*

“Jamie is a sweet name,” I say to Chang, “she must have loved him once.”



For the full story, follow the link. NB: The first paragraph is true-true. This really happened to us on our arrival in San Francisco this spring.

Dec 19, 2014

The view this evening (Glenn)


(No, actually---not the view this evening. This is a sky picture showing how the Andromeda Galaxy, the nearest galaxy outside the Milky Way, would appear to our eyes if it were bright enough. It's roughly 1 million light years away and ca. 100,000 light years across, almost twice as large as the Milky Way, our own galaxy.)

Dec 12, 2014

Gallery (23) (Sadao Hasegawa)


Sadao Hasegawa (1996)

(We discovered Sadao Hasegawa today; it's an incredibly intense Japanese artist, who committed suicide in 1999)

(More art on the Gallery Page)

Dec 8, 2014

Arresting Justin Bieber --- Write a novel see the world (1)

 
(Update: and while we are at it, here's Justin's lastest picture:)



Anything more we have to say about Justin, a fragment perhaps? We mention him once in the Green Eyes, but in our first novel, Freedom Fries, he gets a serious literary treatment. Here it is:

Context: Pamela Woods, the Dean of Berkeley Law school is busy conspiring against one of her faculty member, John Yoo, the author of the Bush-era torture memos. And Justin Bieber jr? That's her vice dean. And---spoiler alert---the scene is set on the day of Justin Bieber's breakthrough: 

  She collects the secret phone---Zack could call any minute now---hides it in her bag, and leaves the office. She will take up position in the lobby, where she will play the Populist Dean. The populist dean is expected of her anyhow, occasionally, and her performance is not without merit (despite mixed reviews), especially on Friday afternoons when people want to go home early, an inclination she applauds with one hand and dismisses with the other. Anyhow, there she stands, expansive as always (not always, only since twenty years), dispensing kisses, Hi’s, compliments (“you look great”), compliments (“you look great”), feedback (“we missed you at the budget meeting, where were you”), more compliments (“where did you get that tan?”), as her academic subjects are drifting toward TGI weekend.

Berkeley Law School, west side

Meanwhile, in a parallel universe, Pamela is waiting for Yoo to go home to his wife and two children, his wife the estranged daughter of the Pulitzer prize winning face of the first gulf war, Peter Arnett, his children the estranged grandchildren of the Pulitzer prize winning face of the first gulf war, at least, that’s how she assumes Yoo’s family works. But perhaps she is wrong, Arnett looms large in her own life since it had been him, the CNN correspondent in Baghdad, who had watched over her final fall from svelteness during one month of uninterrupted couch attendance in the run-up to the war. Tragically, she was on sabbatical leave at that time; planning to write another law book, she had turned down visiting appointments elsewhere and was stuck in front of the TV with an excessive supply of macaroons and productive procrastination. She had gained twenty additional pounds when the war was over, twenty pounds that had tipped the balance of her life.

Parking garage of Berkeley Law

She has already sent six faculty, twelve students, and three staff into the weekend when Vice Dean Bieber descends the stairs. A small, middle-aged man of nondescript appearance, Justin Bieber Jr. is the son of Justin Bieber Sr. and the father of Justin Bieber III. She opens her arms wide---he is scared of big women and will keep a certain distance. “How’s going,” she cheers, “haven’t seen you in fifteen minutes.”
“Great, Pamela, great going,” Bieber replies, “I’ve just taken a few minutes off my vice-deanly obligations to check on my blog.”
“Oh, I’m so sorry, I didn’t have a chance to catch up with your blog recently, but I promise.”

Dec 5, 2014

Writers (Cathy Ulrich)

I've never understood why some writers write stories about writers because if we're really that interesting, why are we going around making up stories all the time?

"And then I picked up my quill pen and began to write this phrase: 'And then I picked up my quill pen...'."
"And then I picked up my quill pen and began to write this phrase: 'And then I picked up my quill pen...'."


(reblogged from Cathy's blog Hollywood Hates Me)
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